![]() |
View from inside during the day |
![]() |
View from the outside at night. |
A Glasgow studio working in stained glass, kiln formed glass, acid etching, and sandblasting.
The finished installation was successful. I had a call from the client saying he was thrilled by the result. He did not say "at last", but I did for him.
These photos show some of the windows created from the design of the door's fanlight.
The two above are the fourth and fifth rooms off the hall from the left to the right.
This is an image of the fanlight for the third room from the first.
A really nice part of the whole project was the request to design a window in keeping with the Arts Nouveau for the bathroom. This is a big window (approximately 1.4 metres by .9 metres). The object was to obscure the view inwards, but let a lot of light into the room. It is a very long corridor of a bathroom (Don't worry it is a dead end). This window is important in allowing natural daylight into the room.
I looked at a number of themes from the period. I used both books and my own images to come up with the modified water lilly theme shown below. The client agreed. And I began work. I enjoyed the process, although the leading is very complicated in places. I finished it in about a week and a half. So it was under priced, but more enjoyable than many other projects.
At last I have finished an installation of five fanlight windows in a posh Glasgow flat/apartment. The client wanted windows that reflected the time the building was constructed. This was during the full flowering of the Arts Nouveau.
There is a nice design in the fanlight above the door that is original to the flat, so I suggested this should be taken and adapted for all the fanlights around the central hall. The photo shows the existing design that I took to make "reproduction" windows.
All went well until it came to installing the windows. The facings on the openings ran from floor to the top of the fanlight. They were impractical to remove. So the spacing timbers had to be pried out of their location between the glass and the facings. Fortunately the glass could be sacrificed. It was truly horrible. I won't even consider putting a photograph up (not that I took one anyway). This then revealed that the size of the space was larger than allowed for by as much as 20mm in some cases.
The windows were manoeuvred into place by bending leads and panels. Then the windows needed extra strips of lead to keep them in place. Also because the spacing timbers had to be destroyed during the removal, I contracted a joiner to replace them. However he did not realise the importance of matching the spacing timbers to the lines of the facings.
The client called me back, because the panels must have slipped or something. In fact the panels were OK except for one which had genuinely slipped. In looking at the placings in the fanlights, I decided the best would be to remove the existing leaded windows, and make templates of the openings to enable me to remake the outside parts of each window. I got the joiner back to help take out the spacing timber.
Now I know how to do it much faster than before - destroy the timber with a chisel, rather than trying to pry it out. It always helps when you know your materials!
I took the templates on stiff card, and rebuilt the outer parts of the panels, using 16mm(5/16") lead came. This enabled me to bend the leaves of the top and bottom cames so the panels could slip into the opening through the facings. Then the effort was to straighten the flanges while in the opening. This is a two person job. One to hold the panel, the other to work the flanges. They all fitted.! One fitted so snugly that the bottom flanges had to be cut off. Now another firm of joiners is coming to fit a shaped spacer that will set off the windows very well.