Studio views

I have been asked to put some photos on the blog of my studio.  These are three general views of the studio today.

This is the East end of the studio.  Today the concentration is mainly on leaded glass.

This shows the North and part of the East of the studio.

This shows the South West portion of the studio during a sunny spell.

Cupola

A client has recently purchased a house built in the early 1920’s.  It contains a cupola that has become ugly over the years through exposure to nicotine and general dirtiness.

Rather than trying to clean it, the client has decided to replace it with something in keeping with the period of construction that will allow light through into the hallway, but also obscure the view of the roof.

After trying out several ideas, I came up with one that I liked and developed it.

In my enthusiasm for the flow of the piece, I overlooked the desire for roses that the client had expressed.  The client gently pointed this out to me when I showed the design.  Oops, time for a re-think.  Everyone agreed that the flow of the green forms, although not rose leaves was desirable.  You can see the beginnings of a re-design on the original.

So I came up with a variation.  I worked on making a simple but clearly rose shape instead of the elongated buds that were the colourful feature of the first design.  I also worked to bring more of the colour lower into the panels.

You can get a better impression with the new design over laid on the old.

This is now at the glass cutting stage and soon to move to the building of the panels.

Float Glass Experiments

I have been conducting some recent experiments with float glass strips.  The intention was to play with devitrification.  

I placed the strips randomly tin or air side down.  In the first they were shingled, and then fused. In the second, they were shaped first then fused.  The first went into a self-made ceramic mould.  

Assembled strips fused and formed

Strips bent and assembled before fusing and forming

The second I decided to make into a large tray.  The mould for this, as I had no suitable mould of the correct size, became cut kiln shelves arranged in a parallogram and covered with thinfire.  

"Free form" mould assembled on sand bed

I fired at 100C per hour and watched periodically from 600C top 720C.  I decided to stop the firing after 10 minutes at 720C.  This was not an entirely successful experiment, as only a little devitrification shows on the first and none on the second tray.  Still, I obtained two interesting vessels, which encourages me to continue the experimentation.