The bottom panel has fewer pieces to be prepared and so the leading can proceed a little further than the others.


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A Glasgow studio working in stained glass, kiln formed glass, acid etching, and sandblasting.

Previous posts are:
Part 1 Part 2 Part 3 Part 4 Part 5 part 6 Part 7 Part 8 Part 9

The glass that is to be painted, although appearing to pale at the moment, will be altered by the addition of paint to blend with the other glass. The original glass, as you can see, has a range of variation too.










